Sourced from: http://www.snipview.com/q/Songlines |
“The whole of
Australia could be read as a musical score. There was hardly a rock or creek in
the country that could not or had not been sung. One should perhaps visualize the
song lines as a spaghetti of Iliad’s and odysseys, writhing this way and that,
in which every ‘episode’ was readable in terms of geology” (Chatwin, 1987).
The quote above is a
best attempt to describe the nature of the songlines on the Australian landscape;
where the aboriginal peoples trace the paths of their ancestors, linking them
to their past and sacred sites. A song to the aboriginal people is perceived as
a map and direction-finder. If you knew the song you could find your way (Chatwin,
1987).
As the ancient Greeks understood
it, “The way we tell a story shapes the way that we see the world”(Luyn, 2015).
To aboriginals, in the
dreamtime nothing existed before everything was sung into existence. Now, as
then, things do not truly exist until they are sung into existence again. The
land must exist as a concept of the mind, to be sung before it can exist. To a
degree this concept is similar to that of an online network, which must be perceived
in the minds of those who make use of it before it can be said to have any
form. They both allow people to connect to what is important to them.
However, the networks
formed in the online space are different from the networks that are formed
through the songlines across the Australian continent. Where the songlines take
up physical space and connect peoples and sacred sites across measurable
distances the networks formed online do not take up physical space. Online
people are connected more to ideas, which tend to collect together with other
like-minded ideas. Communication between people is also far faster in online networks than along the songlines but far less permanent to those who participate.
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