Sunday, 13 September 2015

N.W.A and Diaspora?





In this weeks lecture (Kuttainen, 2015) we discussed ‘diaspora’, its origins as explained by Emmanuel Ma Mung (2005), “identity develops and is based on the feeling of sharing a 'common origin”, examples and ramifications of it in today’s society. We looked at the Rastafarian movement in the 1930s and how a icon Bob Marley helped spread a common connection and ideology to the people of not just Jamaica but also from all over the world.  In this bright future you can't forget your past”. Bob Marley


I would like to turn the consideration on something that has just recently found its way to the cinemas, however shows a truly important theme when looking at common connections and similar backgrounds. Now I am sure we have all seen or have heard of the new movie ‘Straight out of Compton’? This movie to me does not necessarily aim to show diaspora or a race being dumped on non-familiar land and then keeping common tradition; yet it shows me that people from all over the globe can have common similarities, for example traditions, foods, habits, addictions and even ways of thinking.  The movie ‘Straight out of Compton’ helped me understand that certain clusters of people can be genuinely connected even if they are not geographically in the same place but can be connected with social similarities. With similar variables in any cluster of people as of poverty, crime, corruption, drugs, food, sport, street knowledge and Religion they are logically going to have similarities found unconditionally. So when I was sitting there with my large Pepsi and popcorn watching away, I could see that the one aspect of the rap group N.W.A’s success was built on the common connection and similarity of their own experiences living in a poverty, crime ridden place like Compton, with others similar circumstances all over the world. By expressing thoughts and experiences to the world everyone was able find similarities or not; either way creating one of the most controversial yet influential rap groups of all time.



Can you see any similarities with this line within your own life? But keep in mind how many of the same variables do you encounter daily.




Reference:

Kuttainen, V. (2015). BA1002: Space: Networks, Narratives, and the making of place, week 7 notes[PowerPoint slides]. Retrieved from https://learnjcu.jcu.edu.au 

 Ma Mung, E. (2005). ‘Diaspora, spatiality, identities’. In Comparative European research in migration, diversity and identities. Retrieved from https://learnjcu.jcu.edu.au

Marley, B. (1975). Live!. No Woman No Cry [CD]. London: Island Records.

N.W.A. [Image]. (1996). Retreived from http://i.ytimg.com/vi/lYXOAgO2U_A/maxresdefault.jpg


1 comment:

  1. I agree with the way you have managed to compare the theme of the film to diaspora in the sense that while its not a direct aspect of the film, it does fall under the economic diaspora. The surrounds of the the characters in the film (L.A drug wars) and the low socio-economic background they all come from, and how they use their musical talents to raise awareness of the racism against African americans and other minorities living by the police in America at the time, this is still the case today, with several high profile deaths in custody currently happening,

    References
    Kuttainen, V. (2015). BA1002: Space: Networks, Narratives, and the making of place, week 7 notes. Retrieved from https://learnjcu.jcu.edu.au

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