Retrieved from: http://darkecologies.com/2014/10/26/david-rodens-speculative-posthumanism-conclusion-part-8/ |
Facebook, as a social networking website,
allows for people to transcend the physical limitations of their bodies to find
new form and new identity online. It was said in a video that online personas
have become part of our multiple selves. It is possible for an individual to
form multiple personalities of themselves online, some representations of
ourselves and some being false personas or avatars.
The representations of ourselves as they
appear on Facebook are of our own construction and of the construction of those
we interact with. With this interaction between individuals the lines between
individual and group, as well as man and machine, begin to blur. This move
beyond the boundaries of humanism is referred to as ‘post-humanism’.
As is stated by Van Luyn (2015) referencing
Haraway, “These collapsed
boundaries are represented in the figure of the cyborg.” It is not inaccurate
to think of the cyborg as a physical representation of the move into post-humanism.
Mcneil (2012) refers to Facebook as a “machine-human
coproduction” and as a “shadow biographer”. In other words Facebook is a
melding of the human self and machine. Through the act of storing your statuses
and other various uploads, such as pictures, Facebook preserves a
representation of yourself. To many individuals Facebook becomes a simple extension
of their own being, just as the individual becomes part of Facebook; the
individual becomes, in essence, a cyborg. Indeed, with sites such as Facebook, there
is a requirement to submit to the softwares imperatives Mcneil (2012).
To a degree, people lose a sense of
individuality online. The ability of social networking sites such as Facebook,
along with other people and other groups of people, to influence the identities
we attempt to form for ourselves online erodes our own sense of individuality
as a new cyborg-dominated, post-human world forms.
In the same video mentioned previously, “everything
is connected”.
References:
Mcneil, L. (2012). There is no "I" in network: Social networking sites and post-human. Biography, 35(1), pp. 65-82. doi: 10.1353/bio.2012.0009
Post-human artistic expressionist art[image]. (2014). Retrieved from http://darkecologies.com/2014/10/26/david-rodens-speculative-posthumanism-conclusion-part-8/
Tedx Talks. (2013). Humans, cyborgs, posthumans: Francesca Ferrando at TEDxdilicon alley [video file]. Retrieved from https://www.youtube.com/watch?v=RGjMUw03Bv0
Van Luyn, A. (2015). BA1002: Networked narratives: Intertextuality[powerpoint slides]. Retrieved from https://learnjcu.jcu.edu.au
References:
Mcneil, L. (2012). There is no "I" in network: Social networking sites and post-human. Biography, 35(1), pp. 65-82. doi: 10.1353/bio.2012.0009
Post-human artistic expressionist art[image]. (2014). Retrieved from http://darkecologies.com/2014/10/26/david-rodens-speculative-posthumanism-conclusion-part-8/
Tedx Talks. (2013). Humans, cyborgs, posthumans: Francesca Ferrando at TEDxdilicon alley [video file]. Retrieved from https://www.youtube.com/watch?v=RGjMUw03Bv0
Van Luyn, A. (2015). BA1002: Networked narratives: Intertextuality[powerpoint slides]. Retrieved from https://learnjcu.jcu.edu.au
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